|
You have finished basic piano lessons!
Now What?
It is time you get to know the great keyboard
composers.
300 Years at the Keyboard is made for you!
Over 120 schools have used 300 Years at the
Keyboard!
That's Right -- Once you have learned piano basics you
have a problem. How do you decide whose music you want to spend your time
and money on? To answer that you need to know what exists. What are the
great composers like? What works did they do? What is their music like? that
is what 300 Years at the Keyboard does. In one book 300
Years at the Keyboard has a profile of each of the 18 greatest keyboard
composers followed by a discussion of their styles, works and editions. Then
sample sheet music from each composer is given and, if you like the
composer, a complete list of all their sheet music is right there in the
book.
Glowing Reviews from Major Music Magazines and Library Reviewers.
Designed
for the beginner and the advanced.
Over
120 schools have used this book.
Biography,
style, analysis of works, sample sheet music and list of works.
History of the Piano
Great
for both keyboard AND acoustic piano.
|
|
Feel like you're bored and tired with your piano
playing?
This
is probably because you do not know what is out there and how exciting
it can be. This is the first reference book to include the historical
background on all major piano composers, their individual styles,
analysis of their compositions, sample sheet music and listings of their
major keyboard works. Essential reading for all piano lovers, Three
Hundred Years at the Keyboard will provide readers with a continuing
source of pleasure, convenience, and motivation.
They are all here: Bach, Handel, Haydn, Mozart, Beethoven, Schubert,
Mendelssohn, Schumann, Chopin, Liszt, Brahms, Cesar Franck, Tchaikovsky,
Edvard Grieg, Edward MacDowell, Debussy, Bartok are all covered.
Click Here for Book Details
Who
Wrote 300 Years at the Keyboard?
Patricia Fallows-Hammond spent decades teaching piano to students. Here
is what she has to say:
Teachers
invest a great deal of time and money in encouraging and training a student.
There is a very critical moment in a student’s life that comes just after
they learn how to read and play music. At that point, in order to keep the
student enthusiastic about keyboard music, the student needs to be
introduced to the great works that are available to them. If their interest
is not developed, they will wander off to another hobby and the time and
money invested in them will be lost.
In
short, the student needs to be presented with an overview of the great
composers and the beauty of their legacy. I have found by trial and error
that a book that tries to be all-inclusive does not work. A huge work of all
the composers that have ever lived simply overwhelms the student. They don’t
know where to begin, it looks like too much work, and they quickly lose
interest in what you have presented.
After
many years of study and experimentation, I have found the right mixture and
it is Three Hundred Years at the Keyboard. This title presents
sketches of seventeen of the greatest composers spanning the three centuries
that the keyboard has been around. For each composer my title gives a brief
historical sketch, discussion of some of his greatest works, sample sheet
music, and then a list of the major works so the student can instantly find
more material if they like the composer. For a new to intermediate student,
this is the perfect work for getting to know the great composers and for the
seasoned professional, this is a very delightful and enjoyable review of
what is available.
Read on to find out more...
.
Don't take our word for it - listen to
professionals:
Choice Magazine
(a major
review magazine for the library market)
|
Ludwig Van
Beethoven
|
After an introductory section on the
history of the piano, particularly as reflected in and
influenced by works of the major composers for the instrument,
this interesting and informative book describes various
compositional "schools," from Austro-German, French, and Italian
through English, American, Russian, Spanish, Japanese, and
others. This section constitutes a brief course in music history
beginning with the Renaissance. The appendixes contain lists of
suggested 20th-century repertoire for piano and for harpsichord
... a short but substantial bibliography, and a most useful list
of recommended editions. The body of the work consists of
historical and stylistic sketches of 17 composers, with brief
remarks about several works of each, and lists of selected
works, ending with a complete work or movement.
These sketches are exceptionally well written, assuming an
intelligent reader, and convey a great deal of information
concisely.... this book contains much well-organized and useful
material. For libraries serving serious amateur pianists, high
school upward.
|
Back to Summary
Information
Click Here to
Order |
Booklist
(The book review magazine of
the American Library Association)
|
Johann
Sebastian Bach
|
This authoritative volume will make a solid
addition to the public library music collection.
After offering a brief opening chapter on the evolution of the
piano as instrument and the changing styles of technique, author
Pat Hammond provides opinionated but well-reasoned analyses of
the works of the major piano composers, with focus on the
Baroque era (Bach and Handel), the Classical age (Haydn, Mozart
Beethoven), Romanticism (Schubert, Chopin Liszt, and others),
Impressionism (Debussy) and Modernism (Bartok). Other chapters
single out the unique contributions of various piano geniuses
(Tchaikovsky, Grieg) and outline and define the "schools" of
piano composition and virtuosity. This book's unique feature is
its inclusion of musical examples of each composer's work, which
are meant to be played as one reads along. Pertinent
biographical material is also featured for the great masters.
Appendixes include a suggested twentieth-century piano
repertoire and a bibliography.
|
Back to Summary Information
Click Here to
Order |
|
Wolfgang
Amadeo Mozart
|
"The author has created a self-instruction
course which gives information about the evolution of the piano
and changing styles in piano technique, and then discusses
topics with emphasis on special composers: Baroque Era (Bach and
Handel), Classical Age of Sonata Form (Haydn, Mozart and
Beethoven), Romanticism (Schubert, Mendelssohn, Schumann,
Chopin, Liszt, and Brahms), Unique Contributions (Franck,
Tchaikovsky, Greig, and MacDowell) Impressionism (Debussy) and
Modernism and Contemporary Trends (Bartok). A historical sketch
of the composer’s life, a description of his style, comments on
his major compositions, important editions of his works, and a
listing of his major keyboard works with dates and editions, as
well as the inclusion of a representative piece, are given for
each composer. The last chapters offer profiles of various
schools (Austro-German, French, etc) of classical keyboard
composition, a suggested 20th Century piano repertoire, and a
bibliography. An index completes the volume.
Piano students seeking background
information will profit from this book. Recommended for public
libraries.
|
Back to Summary Information
Click Here to
Order |
Clavier
(The
major keyboard magazine for piano players)
|
Frederick
Francois Chopin
|
"Compiled
and annotated by Patricia Fallows-Hammond. Suitable as a
reference source, this handbook supplies concise biographical
and stylistic sketches of composers and annotation of selected
compositions. Informative chapters on national schools include
not only the usual Russian and French schools but also Japanese,
American, English, Austro-German (also known as the First and
Second Viennese, although the author doesn't mention the fact),
Italian, Spanish, and for completeness, other schools. In
addition, the appendices provide a short but well-chosen
bibliography of standard reference sources and the author's
helpful recommendations for editions and for 20th-century piano,
harpsichord, and organ repertoire.
The huge
task of condensing 300 years' worth of history calls for a
consistent treatment of material. Fallows-Hammond has a knack
for setting and maintaining an appropriate level of
sophistication. Writing in a crisp, direct style, she steers the
student toward complicated subjects and gives them a palpable
hold on them. To explain the concept of the concerto grosso, for
example, she explains that, "In Handel's time,
Concerto Crosso
meant a small group of instruments playing in contrast to a
larger body of strings." Her synopsis of the development of
sonata form is equally apt....Commentary
on the composers is well-researched and written at a uniform
level of detail that will make it useful to a wide
audience....Fallows-Hammond does a good job of compiling
accurate information on the composers she has chosen. If the
contents of the book serve your purposes, you will find this
handbook a handy reference source. Ross Books, Berkeley,
California"
|
Back to Summary Information
Click Here to
Order |
Keyboard Magazine
|
Franz Lizt
|
Patricia Fallow-Hammond’s 302 page study
embraces the proposition that historical context is an
important, and frequently neglected, element in building an
understanding of classical repertoire. This is not a new
insight; what is new is Fallows-Hammond’s abbreviated response
to it. Rather then write a comprehensive psycho-historical
investigation, she has assembled a fairly basic catalogue of
keyboard works, arranged chronologically by composer, and
preceded each list with a short biography relating milestones
from each composer’s life. .....
Three Hundred Years
would perhaps
seem most useful to the student or amateur hoping to enhance his
or her appreciation of the classics .... Her decision to further
enlighten the reader with short samples of their handiwork is a
happy extra addition: The first movement of Beethoven’s
Sonata In C Minor, Op.13,
and Chopin’s complete Etude In E
Major, Op. 10, No.3, are among those
chosen.... By and large,
Fallows-Hammond’s view of piano repertoire and the masters who
created it follows the familiar line. Her efficiency at
summarizing and packaging that line is what makes her debut in
print a success.
|
Click Here for Book Details
Still feel you need some basic instruction?
We recommend Rocket Piano as one of the very best piano
training courses available.
To see what Rocket Piano has
Click Here!
|
|